
Brimstone and flood basalt are not the same thing
Counterintuition and cold fusion are not the same thing
Jules Verne and Bram Stoker are not out here calling every islet
a micronation–every ocean exposition–every
albatross a pteranodon
But I am
A legibility: history of weather modification after the hail cannon
Project Cold Wand: America’s war against fog
Project Cirrus: Dump dry ice into a hurricane
Project Stormfury: Cloud seed a hurricane with silver iodide on the East Coast
Operation Popeye: Cloud seed the Ho Chi Minh Trail
Operation Argus: Create artificial radiation belts in the sky with nukes
Our weather station on the Rocks is encrusted with solar panels and the solar
panels are encrusted with guano
The arches of guano the friezes of guano
the pinnacles of guano the chapterhouses of guano
the parsonages of guano the fleurons of guano
the blades and gables of the Rocks the craters and pits
of the Rocks the grotesques and chimeras of the Rocks
There’s nothing quite like watching all that
energy and death–black bluegreen algae on the Rocks
is called Mucous of the Threshold by some resident biologists
Nothing surrounds us and holds us
quite like an Exclusive Economic Zone–
Trade all the gutters of Byzantium
for all the gutters of Purgatory
and what’s left of these are emptying here
all day long and all night long
at St. Peter and St. Paul’s Rocks in the South Atlantic
After the spring session: summer cyclogeneses
When I think about paths I don’t
want to think about complexity and tools—
process or elimination
When I think about belongings—
I want to be safe from grief
When I think about evacuation—
The painted caves’ finger fluting
isn’t an annal of vivid self-abasement
so why is that what comes to mind first—
the desire and dread of the countdown
mentality–There are no caves here
Here there are experts amongst coelacanths–
and guests amongst tectonic regimes–
Coelacanths amongst guests
Conning towers amongst waves
Dowsing rods amongst radar pickets
A legibility: the Atlantic Meridional Overturning Circulation
is one of those hypercurrents it is worried could collapse
Is it a song if an effigy can sing?
Is it a golem if instruments are heard?
Is it an essence if there is portrayal of movement?
Is it oblivion if its facets of lucidity burn bright in its distances?
Not every winking stranger is a coy telepath
and not every rupture summons the Army Corps of Engineers
With my colleague whose nickname at the Rocks is Franz Mesmer
I have come to the biologists’ sound bath
to soothe our shared and placid paranoias
It can felt in the amygdala–
a baby of UFO in a King Cake of radar
During the Cold War–I know I promised
to stop doing this–Raytheon built two radar pyramids
called PAVE PAWS to protect America
from sea launch ballistic missiles
and the pyramids–one in California and one
in Cape Cod–worked together to bathe their ranges
with beautiful wavefronts and if you
were a missile the pyramids would find
you and you
would be neutralized–
that’s what it felt like to be abob in this sea
of frequencies–like something pacified by a fatherly array
Cold plunge–hot stone–
geyser-assisted myofascial release–
belly button reopening ceremony–
apple abob in the baquet–
actual electric eel communion
Even now I yearn for an abyss of August
whose refuge is irreversible Franz complains
Yes–the trap has its heart set on exile
and innocence is the oldest
cerceaux in the book of vulgarity–
the surest succor in the book of animal magnetism–
I wasn’t sure what to say next
I envied the men he knew who knew
everything when the little I
knew felt so potent and universal
Is there wise envy? Erudite envy?
Envy that can speak over knowledge
that can be knowledge–that can
be colossal–that can connect some
and isolate others?
Is there an envy whose overclone
could—could smother their libraries
and bait their decoys–pollute their
oeuvres—lure them away from any
(except me) who is vulnerable?
Is there a pearl of one’s flame–
a grail of one’s silk–
a scroll of one’s frost–
a spine of one’s braid–
a stripe of one’s void–
a whale of one’s refuge?
Communion in any of these?
First you love whales
Then you chase them in a boat for fifty dollars
Then nothing you behold of them
is enough
You must be swallowed by the whale
You must build a life of poverty
in its cavern
and be digested
Be a candlelit skull in its catacombs
Then your shadowy atoms must travel
through the umbilicus into the calf
Into the brain of the calf
The heavy spine of the calf
The long nerves of the calf
The musculature of the calf
The navigation of the calf
The years of the calf
It was a dark time and I was in a dark place
That time is still here but it is hidden
It exerts obscurely and coheres covertly
That place is still here but it is hidden
The visible does not remember what happened here
But Franz does
Back in New York we stood on a dead jetty
A seagull teased meat from a horseshoe crab–an old one
They can live to be twenty-five
The jetty is a big ugly thing that reminds
us of amputation sequences in movies
It is the widow’s walk of chthonic puffin shit
to be found in the crotch
we joke
of every river valley

Peter Milne Greiner is the author of Lost City Hydrothermal Field, a collection of poetry and science fiction. PMG was a 2025 NYC Poets Afloat resident and his work has appeared recently in Fence, Antiphony, Works & Days, and ballast.
